Got Questions for the Path-makers? Ask them!

It’s been a couple of years since we’ve done this, but we love our listeners. We’re looking to answer questions from you about the path, our process, lore and more. It’s been six years of Witchever Path. And we are so excited to have you with us.

This episode will be recorded on January 29th for our Patreon subscribers. Then we’ll release this replay to general audiences after the end of Some Assembly Required!

Dee Chose to Let the Creature See Her

You voted to have Dee talk to her creation rather than just put it to sleep. What comes next is a surprise for her. Listen today and then vote at witcheverpath.com/vote.

You have until October 23. 

This episode was written by Etienne LaFond. 

Our theme was written and performed by RYDR. 

Foley by Witchever Path  and Epidemic Sound. 

Starring: Journee LaFond

The following music was featured in this episode:

The Opening by Lennon Hutton

Conjuring by DonVayei. 

If you can, join us on Patreon.

Hard to Swallow – Message in a Bottle Finale

Confronted by the suspicious spirit, Jean is not only skeptical, she wants back her control. You chose an unlikely action… to consume it. And here is how Message in a Bottle Ends.

Transcript:
Narrator

In our last episode, Jean decided that whether the apparition that appeared in her kitchen was her departed Richie or an imposter was irrelevant, she had made a deal. Swimming out the spot where her trouble began,  Jean was assailed in the deep by a dark creature, one that she escaped and terrified with the full-throated defiance of her song. After releasing the bottle, the apparation appeared to her again. Tired of games, she turned her voice to the ghost, and demanded answers. What it claimed was disturbing. That it was the father of Makayla’s child, and that the Witch had cursed not only him, but manipulated Jean to do her bidding. All of this was being done to keep the spirit from his child. 


It defied belief. Was Jean being tricked? And if so, by who.  She thought about what she could do here, and you helped her come to a decision. 


And so Witchever Path Presents the finale of Message in a Bottle: Hard to Swallow

[The ocean]

Jean’s narration

This spirit continues to weep. Something in my stomach turns. My teeth ache to clamp down on its throat. But without a real form, how can I? Unless. 

“Are you really here?”

“I am projecting from nearby.”

“How can I see you?”

“You opened the bottle. We are linked now. We can see one another, and hear one another. We are linked.”

“Nearby? Good. Come to me.”

I sing to the creature, the lure, the way that has always worked. His eyes lose expression, and his legs move, as though he is walking in place.  His face loses any resemblance to Richie’s. His face becomes pinker, with freckles. His eyes stare ahead, blindly. This projection of him stumbles to its feet, then it gets up to run. He is coming to me. Our link, the one he had been using to watch me, to attempt to manipulate me, it’s now in my service. He, like so many others is my thrall. 

The projection continues running, then leaps into the air, only to seemingly float there. It looks at though its treading water. And then he begins to swim. I continue to sing, but as it reaches its third minute, I begin to worry. He doesn’t seem to be tired, but I am miles out to sea. If this being is alive,  he will drown before he reaches me, won’t he?

I consider getting into the water, to swim closer to him, but after what nearly killed me before, it’s smarter to stay where I am. And if he drowns, I am fine with it. Men will not trick me to harm others. I will not let them hurt people I know. I will not. 

I hear his breath before I see him swimming toward me in the dark. His silhouette as he paddles closer to me is appetizing. He doesn’t look athletic, but I can smell something in the air. He’s not a normal man. There is something old that swirls around him. A smell of somewhere else. 

The hunger I feel brings me a release. Doubt, fear of the world outside, whatever waits on for me in the depths or the shore, it doesn’t matter any more. My eyes dilate and now I see him clearly, twenty yards away, as though it were dawn. His mouth slightly open, his eyes staring forward in my direction. 


Good. 

I am not Jean here. I am ravenous, I am righteous. I will have him.

[sound of swimming]

He is nearly at the rocks. I feel the throb in my arm where his curse had compelled me. I cannot wait. I will not wait. He reaches out for the rocks with his left hand. I see a gold band on his ring finger. I reach out, lift him up. He crawls over the wet rocks into my embrace. And I stop singing for a moment. His eyes focus and he sees me for a moment. 

“Good night.” 

[snarl and ripping sounds]

When I’m done, I slip back into the water, singing the song of the hunt, warning anything within the water that I am not to be interfered with. I am full. I hold his ring in my palm. While under my thrall, he told me why were linked. I opened the bottle. And so… I do not feel guilty. 

I go home. I take a shower, change into something new, it’s not quite ten. I text Bella, that I am doing all right, but I need her to come down soon to talk.  I am antsy. It’s warm outside. Swimming is an option, but I decide to walk. I am walking past Pickering Wharf when I hear music coming from inside a bar that sounds so haunting and odd. And then I see them. People dressed in black and strange costumes that remind me of the horror movies Richie loved. One of them is wearing a wig that looks like tentacles. I am curious.

I follow them inside, and I walk upstairs where the dance floor is filled with humans swaying to electronic beats. There is a flyer with today’s date with a fanged mouth for a logo. The words say “Horrors of the Deep.” There are people here wearing fake gills and costumes that make them look like a mashup of fetish gear and sea monster.

It’s then that I realize I’m not wearing a mask. And I don’t care. I take to the floor. I sway to the music. I get caught up in the evening, without talking to anyone or making any sound. I go home at the end of the night, happy. I don’t dream of anything. 

[sound of the day in Salem]

The sun feels good on my skin, but it will be dry today. The spray bottle in my bag is filled with seawater. The blue envelope in my hand is thick. I didn’t have any paper to write down what happened that looked right, so I went to the store to buy a card.

Makayla’s mailbox is just outside of her gate. I place the envelope inside and close it carefully. She told me not to come back to her home uninvited. But this is the street. This I can do. 

I go downtown, to the main drag. Some of the people who look at me are slightly unnerved. Others take photos, or ask to pose with me. I decline at first, but the compliments on  my body modifications make me realize, they think I’m a person. And so I consent to a few photos before finding a shady spot to sit for a while. 

The attention is a little more overwhelming, so I fish a mask out of my bag and put it on. I sit on the edge of the fountain near the museum.  

“Thank you for not knocking”

Makayla sits down next to me.

“That was fast.”

“I read what you wrote.”

“I didn’t know what to do.”

“You did something I don’t think I would have thought to do. I didn’t even suspect it was really him. I thought that he was… someone else.”

“Is Lily still in danger?”

Makayla looks up at the sky and sighs. 


“No more than all of us are, really. Thanks to you. Would you mind walking with me to work? I have to open my store, and I would like to talk with you some more.” 

“I’d like that.”

She helps me stand and leads the way to her shop. It’s closer to my home than I expected. Unlocking the door, she gestures for me to enter. There’s a rich smell of incense and herbs. On the counter I see the most beautiful statue of a golden woman that I have ever seen. A peacock feather lays at her feet.

“You can take that mask off if you want. I can wait to open for a little bit.”

I do. She takes in my face, my scars. But there is no look of horror or disgust. She nods and says. “Wow. You’re beautiful, Jean.” 

And then she offers me tea. 

Narrator
This was Message in a Bottle. Your Choice was the most unexpected, and I can’t thank you enough for letting us record this madcap script. 

Valentine Buchanan is your Siren.
Journee LaFond is Makayla

The theme song was by Rydr. 

The following songs come courtesy of EpidemicSound.com:

A Mermaid’s Eulogy by Etienne Roussel

Lambent by Christopher Ditlevsen, Karolina Gabel 

Perfectly Hopeless by Coma Svensson feat Divty

Foley by Witchever Path, with supplementary effects by Epidemic Sound, and Audio Hero. 


Everyone, I’m not going to lie to you, this season is the end for a few months. We’re writing our next Witchever Path project during that time and creating some more Witchever Path content for the premium members. Without whom, we wouldn’t be able to pay for what we need to make this show. 

If you like what you heard, there’s even more to this story at patreon.com/witcheverpath. Not only will you get extra episodes and behind-the-scenes content, you’ll also help support our show. Consider a subscription today. 

Sending the bottle out to sea

In our last episode, the witch Makayla freed Jean from her curse and told her to return to the sea. But it was midday, and swimming the bottle out to her rock would surely bring attention. She stalled for time in town, taking a moment to eat, correct the behavior of an evil man, and then made her way home to nap. 

She awoke from her dream to see a vision of her lost love, Richie, gesturing to the bottle as though he was urging her to open it and read the message. She thought he was just a vision until she noticed the briny, salt water on her kitchen floor. Was he warning her? Was this a trick? She felt compelled to peel the wax off the cork and read Makayla’s message. But something stopped her: You. 

And so Witchever Path presents Message in a Bottle, Part Six: Out to Sea.

Transcript:
[The door opens, city street, and ocean]

Jean’s narration

Ghosts are real. When I first left Maine, Bella brought me to a haunted home. The spirit there was angry. It attempted to harm me. And I learned that my voice worked on it as much as it did the living. And I stopped the spirit from its attacks. If it is Richie I am seeing, then I will sing to him and have him confirm it. In life, I wouldn’t dare. But now, I have just been released from a curse. And if I want to avoid more pain, I need to know what’s coming. Seeing him again like that was frightening. But now, I am resolved. 

This bottle is meant for the sea. It’s time to go. 

The tide has swallowed up the shore. There’s no evidence of the beached dolphins anywhere, save for the litter on dry sand from people who dropped whatever it was they were holding to help get them back to sea. The pod’s out there somewhere. I hope they’re recovered.

I slip off my clothes again, in the dark… and I step into the summer water. I place the bottle in my knit bag and then dive in. 

[underwater sounds]

The water in my gills wakes me up further. I try to push the memory of Richie’s waterlogged face out of my mind by focusing on crabs scattering in my wake. 

With a few kicks, I get away from the shallows. My eyes adjust to the murky water. 

There is the smell of engine oil and spilled wine in the water. I dive lower clear the last boats in the harbor before finding myself near my rocks. 

I surface and I look out into the dark night, away from Salem. I take the bottle out of my bag and I inspect it above the water. Makayla’s reply to the original message is within. I visualize it reaching the hands of its intended recipient. I hope that this will work. 

I let go of the bottle and it bobs on the waves. The current gets hold of it and it begins to float away. I’ve done my part. I’m free.  I can – 

[pull under water]

Something has my leg. I’m being pulled down, away from the surface. The cold grip is so sharp against my ankle that I am immediately worried I’m caught in the jaws of something. But as I look down, it’s not the teeth of a shark or a tentacle that has me, it’s a skeletal hand. And just below that, I see the rotting, angry face of a dead man looking at me. 

I can’t kick free. And then his other hand is on me, digging into my calf. his long, black hair swirls around in the dark water. His lipless jaws gnash their teeth. He continues to pull me toward his eyeless face. Let me go… You will let me go. 

[siren song]

Within the first few notes of my song, he lets go of my leg, and begins to sink. The terror starts to fade from view. And then I feel the current change. Something is coming my way, something large and old. Something not of these waters. Fish are scurrying away, scallops closing their shells. And then I feel the jet of warmth around me and I am surrounded by black ink. 

[sound of the squid]

Its arms could around my torso and begin to crush the breath out of me, pushing the remaining air out of my lungs and stopping my song. But I don’t need that air to sing. 

The squid’s arms go slack, though the pain of their suckers is raw on my stomach. And I sing a tale of terror and fear at the colossal monster. And it flees. I have to get out of here before more things attack. 

I get to my rocks and leap up onto them, out of the water.  The air stings my wounds. My arm is throbbing. And there is Richie, waiting for me on the rocks, his mottled flesh wet from the surf. 

“You’re not him!”

”You have to retrieve the bottle. It’s a trap, It’s a trap.”

”Show me who you are.” 

I sing the song my aunts taught me. The one I have used a thousand times to lure bad men to their deaths. And the creature wearing Richie’s face stiffens and kneels on the jagged stones and slowly, it whispers. 

“You can’t let that message get to him. He will take her. He will take the little one away.”

I do not stop my song. He will show me. He will show me who he is.

You cannot do this. She is mine. I won’t let them take her away.”

“She is using to you keep me away, to get her devils to do her bidding. You are being lied to.”

“I don’t know what you see me as. I can’t have a real face over here anymore, it was traded away!”

”I’m not the bad one here. I came to get YOUR HELP! Please! Please help me!” 

“You can’t keep me from my daughter.”

[song falters]

”You are lying.”

”Her name is Lilly. She is the only thing in the world I would give anything for. Her mother cursed me, but I can come back. I can come back and keep my baby safe.” 

“You are lying.”

”Your arm and stomach tell you otherwise. You are being attacked and cursed, as have I. There is only one person with that power. Only one. And you met her.”

The creature wearing Richie’s face covers it with his hands and sobs. He seems pathetic. I scan the dark water. I can’t see through the ink. 

“Help me. Help me make this right.”

The creature presses its hand together as though it is praying to me, while it begs. It claims to be the father of Makayla’s child. He called her Lilly. What do I do? Makayla helped me, the curse, everything I’ve seen, she helped me. This can’t be real. He has to be lying, but he’s now just weeping in front of me. Telling me he isn’t to blame. 

What do I do?

Eat him. 

Believe him.

Escape him.

Make your decision now at WitcheverPath.com/vote. You have until December 23.

Valentine Buchanan is your Siren.
Journee LaFond returns as Makayla

The theme song was by Rydr. 

The following songs come courtesy of EpidemicSound.com:

  • A Mermaid’s Eulogy by Etienne Roussel
  • Fallen by Experia
  • A Presence Felt by Gavin Luke
  • Warning Signal by Max AnsonSlow Revolt by Jon Björk
  • The Kuna Yala Battlefield by Christian Anderson

Foley by Witchever Path, with supplementary effects by Epidemic Sound, and Audio Hero. 

If you like what you heard, there’s even more to this story at patreon.com/witcheverpath. Not only will you get extra episodes and behind-the-scenes content, you’ll also help support our show. Consider a subscription today. 


That’s it for today’s episode. Take care of yourself and sleep with a clear consequence. Choose the Path.